Writings

"[The photographer's eye is] a dreaming eye: quick to seize the instant in which the fortuitous dance of forms reveals the essential truth, the ineffable thusness of the object. Only in such momen...
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"Personal and historical associations, irrational attachments and affections, to take their place as legitimate elements of the aesthetic experience,” wrote Dr. L.A. Reid in "A Study in Aesthetics...
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"You tell a story because a statement would be inadequate. When anybody asks what a story is about, the only proper thing is to tell him to read the story . . . I myself prefer to say that a story...
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“Most artists make art precisely because they feel some sort of absence or incoherence in their lives. It seems not simply inevitable but necessary that the art they produce in some way seek to co...
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Michael Schmidt always looked at the world uncompromisingly, painfully, even brutally. In his final book, a restless mind finds some measure of peace, confident in its status as a mind, as a uniqu...
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Interesting photographs typically raise more questions than they answer. And sometimes those questions are utterly unanswerable – not because they are murky issues of opinion or interpretation, but...
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When I first saw some pictures from Nicholas Nixon’s “The Brown Sisters” – probably almost 20 years ago – I dismissed the collective as a gimmick. I thought just about anyone could come up with th...
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The photographer John Myers once said: “The world is not beautiful – it is there.” The part of me that took a Zen Buddhism class back in college – and learned of non-attachment – couldn’t agree mo...
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