Mark Steinmetz

While walking with Mark Steinmetz

Who better to roam the French capital with than Mark Steinmetz, author of Paris in my time? We started our conversation over breakfast in a bustling café in Montmartre and then made our way to the Place de Clichy, with Mark all the while making pictures (listen closely for the shutter) for an ongoing project. We talked about Atget and Cartier-Bresson, light and weather, punks and tennis. About Winogrand and exceeding yourself with a camera.

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Mu Ch’i, The Six Persimmons (crop)

On cultivation

Over the years, I’ve had a number of friends who, after we’ve known each other for a while, have put it to me delicately that they don’t “understand” photography as an art form. Most of them actually looked at and enjoyed serious photographs, but they were hung up on the mechanical ease of the medium, particularly when it was viewed in a museum or gallery full of very difficult-to-make paintings and sculptures. One time, after walking around for a couple of hours when I was making some pictures, a guy who is close enough to not worry about offending me said, “You just take pictures of everything, and there’s bound to be something good.” I’m guessing that something similar has happened to almost anyone interested in photographing. 

At first, I had a whole bunch of (slightly defensive) answers about the moment of exposure being just the beginning of a process – that one makes numerous important choices in developing film, work printing and editing, and final printing &etc. These are good answers.

But there are better answers, or I guess one better answer, and it has to do with what happens before, rather than after, the shutter is released or the print is fixed.